CAVITY SEARCH 2018
Video 3:00 minutes
Field Recording by Solveig Settemsdal from London Bridge Underground station at rush hour, Monday Dec 11 2017 at 08:00 - 09:00
Scan from open source sketchfab gallery at British Museum
Marble portrait head of Alexander the Great: the head was cut to fit into a separately made body. The surface is in good condition with only minor abrasions. The back of the head has been worked to receive the remainder of the hair, which was probably made of another material, such as stucco or plaster.
Cultures/periods
Production date
300 BC - 150 BC
Findspot
Excavated/Findspot: Alexandria (Egypt) (said to be from)
Africa: Egypt: Iskandariya, el- (Governorate): Alexandria (Egypt)
Materials
Dimensions
Height: Height: 37 centimetres
Width: Width: 22 centimetres
Depth: Depth: 24 centimetres
Curator's comments
Walker & Higgs 2001
Literary sources claim that Alexander selected only a few artists to produce his image. Famous names, such as the sculptor Lysippos and the painter Apelles, were associated with Alexander's portraiture. None of the famous images have been identified, but a vast array of sculptures in different materials, portraits on gemstones and coins survive. These were produced mostly long after Alexander's death, and while the portraits follow similar general characteristics, they also vary in style. A relatively large number of portraits of Alexander have been found in Egypt, ranging in date from Hellenistic to Roman.
Alexander was always shown clean-shaven, which was an innovation: all previous portraits of Greek statesmen or rulers had beards. This royal fashion lasted for almost five hundred years and almost all of the Hellenistic kings and Roman emperors until Hadrian were portrayed beardless. Alexander was the first king to wear the royal diadem, a band of cloth tied around the hair that was to become the symbol of Hellenistic kingship. His portrait types were utilized and adapted for images of later rulers. Earlier portraits of Alexander tend to appear more heroic and mature, while posthumous portraits, like this example, portray Alexander as a more youthful, god-like character. He has longer hair, a more dynamic twist of the head and an upward gaze; in fact, more like the description of Alexander in literary sources.
This head was acquired in Alexandria, the city that Alexander had founded after he conquered Egypt in 332 bc. Ptolemy had been one of Alexander's Macedonian generals and he was given Egypt in the division of Alexander's lands after his death. Alexandria was also the location of Alexander's tomb. From the time Ptolemy I Soter declared himself king in 305/304 bc, Alexander was worshipped as a god and as the forefather of the Ptolemaic dynasty.
Bibliography:
J.J. Pollitt, 'Art in the Hellenistic Age' (Cambridge, 1986) fig.18;
R.R.R. Smith, Hellenistic Sculpture (London 1991), fig. 9;
S. Walker & P. Higgs [eds.], 'Cleopatra of Egypt' (London, 2001), p. 38-39 [2]
License
CC Attribution-NonCommercial-ShareAlikeCC Attribution-NonCommercial-ShareAlike
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Alias/WaveFront Material (mtl)
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Geometry
Triangles 535k
Vertices
267.5k
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Textures
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Materials
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UV Layers
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Vertex colors
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